Eis, em síntese, a crítica do The New York Times à nova produção de Macbeth, assinada por Noble, recentemente estreada em Nova-Iorque:
(Lucic e Guleghina, respectivamente Macbeth e Lady Macbeth)
«With his husky build, shaggy hair and distracted look, Mr. Lucic conveyed Macbeth’s inner doubt and driving ambition. He may not have brought a glamour baritone voice with classic Italianate colorings to the role. But he had Verdian style, singing with elegant legato and burnished sound. You wanted this Thane of Cawdor to be more menacing. But Lady Macbeth is the real villain in this story.
(Lucic e Guleghina, respectivamente Macbeth e Lady Macbeth)
«With his husky build, shaggy hair and distracted look, Mr. Lucic conveyed Macbeth’s inner doubt and driving ambition. He may not have brought a glamour baritone voice with classic Italianate colorings to the role. But he had Verdian style, singing with elegant legato and burnished sound. You wanted this Thane of Cawdor to be more menacing. But Lady Macbeth is the real villain in this story.
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