(Peter Gelb, director-geral do Met)
A Era Gelb parace marcada pela ousadia e primazia da teatralidade, como segue:
«In his office a couple of weeks ago Mr. Gelb said the decision to open the new season this way, with a brand-new, pared-down production of an opera that was a trademark of the old Met, was “not an accident.” His self-proclaimed mission from the beginning has been to revivify an institution whose core audience he thinks is rapidly aging itself to extinction, by re-emphasizing opera’s theatricality.
Mr. Gelb is married to the conductor Keri-Lynn Wilson and has two children from a previous marriage. His day sometimes begins as early as 4 or 5 a.m., when he checks his e-mail and gets on the phone to Europe. On Monday he was on the job until well after midnight. Wearing a black shirt and velvet tuxedo jacket, he held between-act receptions in his office for friends, family, people from the art and the theater worlds and even the president of Finland. (Karita Mattila, who played Tosca, wearing brown contact lenses, is a Finn.) After the second act he and Mr. Bondy also fussed backstage over the timing and light cues for Tosca’s leap.
Não concordo com as modernices no Met. Acho que tem de continuar a existir um sítio no mundo onde se possa ir encher a barriga de riso com solenidade máxima.
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